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Ferreira Gullar
Ferreira Gullar is the pen name for José Ribamar Ferreira (born September 10, 1930), a Brazilian poet, playwright, essayist, art critic, and television writer. In 1959, he was instrumental in the formation of the Neo-Concrete Movement.
==Influence of Neo-Concretes==
The Neo-Concrete Manifesto〔()〕 was written in 1959 by Gullar and begins:
We use the term "neo-concrete" to differentiate ourselves from those committed to non-figurative "geometric" art (neoplasticism, constructivism, suprematism, the school of Ulm) and particularly the kind of concrete art that is influenced by a dangerously acute rationalism. In the light of their artistic experience, the painters, sculptors, engravers and writers participating in this first neo-concrete exhibition came to the conclusion that it was necessary to evaluate the theoretical principles on which concrete art has been founded, none of which offers a rationale for the expressive potential they feel their art contains.
As seen in this excerpt, the Neo-Concrete Movement seeks to move beyond the Concrete Artist’s ideal of mathematical purity in art and embrace phenomenology. Gullar continues on in his manifesto to call for an artwork that “amounts to more than the sum of its constituent elements; something which analysis may break down into various elements but which can only be understood phenomenologically.”〔Gullar, Ferreira. “Neo-Concrete Manifesto.” ''History of Modern Latin American Art Course Reader.'' Spokane: Whitworth University, 2014.〕 The Neo-Concretists believed artworks should interact with the spectator and make the spectator more aware of his or her physical body and metaphysical existence. It is only with the participation of the spectator that the artwork becomes complete.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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